What type of artist are you?
(Brittany on Location)
Now I had a student call me recently to discuss her painting on location for a local wet art auction. She said her plan was to do a study or two from her chosen location ahead of time and to familiarize herself to all her colors ahead of time so that when she went on location to paint for the actual auction she would have everything lined up in advance.
When she asked what I thought about the fact she would be painting different times of day and worried that the colors would be different? I replied that she was missing out on what painting outside was all about.
Because the colors WILL be different on the study days and the auction day.
The light will have changed.
Everything will be different.
And then she was going to have to decide if she was going to paint the true colors of this day or the prior day?
Paint your time.
Paint on location with an urgency to capture what is there right then.
Trying to do your painting ahead of time even for a pressure situation for these one day fundraising wet art auctions are not a good idea. Though I have seen even the most accomplished artists show up at the begin one of these events with an almost finished painting.
Wet art auctions are not good for anybody except the fund raising recipient.
It is not good for the artist to attempt deception as my student was thinking about. It’s not good for the collector to buy paintings that are never going to be lived with by the artist and therefore never finished.
And speaking for myself when I used to participate in these, it is not good for an artist to whack out a painting in the morning, sell it in the afternoon and never see it again.
Never having the chance to live with it to see if anything you have painted bothers you and rings untrue.
The artist would never get a chance to see the painting under different light and to look at it critically.
Wet art auction pieces don’t get a chance to dry thoroughly so that it will have it’s final varnish; so that your painting will have a beautiful patina. Unless a collector gets in touch with an artist or their gallery to return the painting for the final glaze, (which never happens.)
I want my paintings to have a luster to them and I want to live with my work before I put any paintings on the market. I want my collectors to have the best I can give.
And that is why …
Even with painting on location being my forte, I haven’t participated in a wet art auction in years.










So while I was laying this in a couple of high school girls told me it was cool, and one told me when they had seen the mural of my sunrise upstairs in the cardio room, she wanted to paint that in her bedroom at home. That’s the kind of complement I like to receive.